Kim Possible Sex Stories
A decorated MI6 agent, a crime-fighting cheerleader, a rogue IMF operative, and a platypus. They make an unlikely team, but - like it or not - their skills are going to save the world. From the universe of Disney Ghostbusters comes "Mission: Possible," a spy crossover in which the worlds of Disney are intertwined with James Bond and Mission: Impossible. Bond, Kim Possible, Ethan Hunt, and Perry the Platypus must band together as a new unit of spies (referred as "The Team") against the forces of their greatest enemies that have formed a deadly alliance known as "The League." In the process, they must also protect "the asset" - the League's primary target that they believe will change the future of the world.
kim possible sex stories
As revealed in Kim Possible: A Sitch in Time, Kim became involved in crime-fighting rather unintentionally.[17][18] In a series of events prior to the beginning of the series, a pre-adolescent Kim, in search of a job, creates her own website, kimpossible.com,[18] to promote her burgeoning babysitting and lawn mowing services,[17] promoting it using the slogan "I can do anything".[19] When he becomes trapped by his own laser security system, a billionaire accidentally contacts Kim while he was attempting to reach Team Impossible, to whose aid she immediately rushes.[18] As news of the character's heroism spreads, her website is soon flooded with e-mails from around the globe requesting her assistance,[19] and Kim ultimately decides to use her talents to help the world, becoming a superhero, even without superpowers.[7]
Creating the Kim Possible universe and environment was very much a collaborative process between Schooley and McCorkle, Disney Channel, the character designers, and the cast, who were also encouraged to contribute their own ideas.[10] Although Schooley and McCorkle participated in designing Kim, the majority of that particular task was the combined efforts of Loter, inaugural season director Chris Bailey, art director Alan Bodner and character designer Stephen Silver,[10] each of whom had worked together on previous animated projects.[42] Due to their extensive animation experience, Schooley and McCorkle were aware that "Kim had to be an appealing character", while Ron would be more-so "goofy-appealing".[10] Evolving dramatically over the course of three months, Kim, who had originally been designed to resemble a "standard" athletic-looking blonde heroine, underwent several changes.[10] At one point, the character's appearance was based on that of video game character Lara Croft from the Tomb Raider franchise until Disney Channel abandoned this concept in favor of one more akin to that of a 14 year-old girl as opposed to a bombshell.[10] Admitting that Kim would have been their dream girl in high school, the creators joked, "She would have been way out of our class though."[10] A super suit designed for the character was introduced in early Season 4 but quickly abandoned once the writers realized that the costume would detract from the character's established "she can do anything" reputation.[42] However, her original mission outfit consisting of a crop top and cargo pants is permanently replaced by a T-shirt and pants.[51] Meanwhile, the outfits of Team Impossible were influenced by the X-Men's "classic" blue and gold uniforms.[40]
Episodes typically adhere to a simple, similar format, featuring a power-hungry villain who Kim and Ron must somehow prevent from taking over the world.[28] Although primarily an action comedy TV series,[45] Music in Television: Channels of Listening author James Deaville observed that Kim Possible adheres to the long-standing tradition of combining adventure with comedy in animated television.[61] According to Telebisyon, "The show is fairly action-oriented, but also has a strong, light-hearted comedic atmosphere".[67] In addition to action, comedy and adventure, Kim Possible's storylines also explore elements of romance and drama.[28][73] According to The Artifice, the show's unique brand of humor distinguishes it from the slapstick style associated with most Disney Channel sitcoms, namely Phil of the Future and That's so Raven,[13] although Ron can be considered a slapstick character.[74] The villains are also depicted as clever, yet comical.[15] With a tendency not to take itself seriously,[21] Kim Possible both parodies and pays homage to the spy, action and superhero genres,[67][75] its comedy benefiting from the show's emphasis on "over-the-top plots" and circumstances.[5] Shego's own family of superheroes, Team Go, is a deliberate parody of the Marvel superhero team the Fantastic Four;[29] the series also references the Tomb Raider and Mission: Impossible film franchises.[14] Self-referential in its humor that avoids talking down to viewers,[74][76] the series additionally parodies the teen sitcom genre,[54] teenage fads and trends in general, and sometimes makes fun of its own plot holes and oversights,[13] while occasionally adopting common cartoon and sitcom tropes.[8]
Kim is raised in a nuclear family.[25] Unlike popular animated sitcoms such as The Simpsons and Family Guy, both of Kim's parents are intelligent, accomplished and attractive;[74] Kim's own intelligence is often attributed to the fact that she is born to a rocket scientist father and neurosurgeon mother.[62] Kim's inherent confidence is a Possible family trait; her father James, who views women as equals,[16] proudly reiterates the phrase "Nothing is impossible for a Possible" on numerous occasions.[18] In her younger years, Kim's grandmother "Nana" Possible fought crime much like Kim herself.[8] Kim Possible approaches the subject of the friend zone via Kim and Ron's relationship,[8][24] discussing male-female friendship in a manner reminiscent to that of the romantic comedy When Harry Met Sally... (1989).[74] According to Sarah Freymiller of Bustle, the protagonists friendship evokes that of Batman and the Joker, "Kim holds the functional and social power, while Ron exerts more of a calming, occasionally slapstick influence on the show ... he is the intelligent, kind chaos in her highly-organized life."[74] Kim and Ron are solely platonic friends for the show's first three seasons and remain best friends even after they start dating in Season 4, defying the popular belief that "being romantically involved is worth more than being in a friendship."[77] The series avoids the popular "Will they or won't they?" trope often used in television shows, keeping them as a couple for the remainder of the series.[76] Having grown up together and learned from each other's mistakes, Kim and Ron ultimately make up for each other's shortcomings.[77] According to Feminist Fairytales, "Ron has a very relaxed attitude towards life which often provides a balance to Kim's assertive nature and perfectionism, while Kim helps Ron become much more independent and self-reliant."[77] Freymiller also believes Ron might have been conceived because "the creators sensed that television would only be able to accept a strong female character if she had a male counterpart," eliminating fears Kim might be perceived as too bitchy, complementing her actions as opposed to dominating.[74]
Describing the show as "infectious", Rob Owen of the Pittsburgh Post-Gazette wrote, "Blessed with a modern sense of humor and hip -- but not too hip -- vocabulary, Kim Possible should appeal to the tweens ... it clearly targets", believing that its animation, "speed with which stories unfold and especially the dialogue makes Kim Possible an early summer TV treat."[12] Writing for The New York Times, television critic Julie Salamon enjoyed Rufus' role, penning, "I probably would have liked Kim Impossible even if one of its lead characters hadn't been a naked mole rat. But the cheerful presence of Rufus ... in this new animated series from Disney signals that the show's executive producer and director, Chris Bailey, doesn't mind getting cute in obvious ways."[53] Similarly, USA Today's Alex Kane wrote that the show "is ultimately made memorable by its charming cast of characters, including a naked mole rat named Rufus".[14] In his book The Complete Directory to Prime Time Network and Cable TV Shows, 1946-Present, television historian Tim Brooks appreciated the show's "marvelous sense of humor about itself."[23]
Very briefly, in the two stories by Catrlgirl, Shego abducts Kim and, using a combination of drugs, sexual abuse, and physical and psychological torture, breaks her and makes her a somewhat willing subservient to her. Kim has little to no self-awareness or will, and has largely become no more than an occasional plaything for Shego, who revels in having destroyed the hero, in retribution for what Kim did to her on the Bueno Nacho tower.
I came across those stories shortly after I discovered FFN. My immediate reaction was to write a continuation in which Shego does not "win", in that she does not get to keep Kim as a pet. However, I didn't want to write a story in which Kim somehow miraculously becomes whole again. The first and last chapters of this story are among the first things I wrote. I've finally gotten around to sketching out the intervening chapters.
In this introduction I'll give a quick recap of Catrlgirl's stories, just enough to make this one stand alone. Naturally, I advise you to read the originals instead. Among other things, she provides a good example of a "Kim as sex slave" story that doesn't dive headfirst into the misogynistic rapefests that have been posted by some others.
The warm and fuzzy picture of humans of all races and ethnicities, no longer endangered animals, aliens, cyborgs, and robots living happily ever after, telling each other stories, and peacefully sharing the universe, sounds good to me.
The case came to public attention again when one of the victims talked during an interview on March 14 on KBS about the horrors she has suffered. She said that she has more stories that could have a shocking impact on Korean society and could not speak about them at this point. She feared for her life as she was allegedly threatened by Kim's wife and blamed the prosecution for not hearing her side of the story.