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Conquest Paradise Riddim: The History and Influence of the Damage Musiq Label
Conquest Paradise Riddim: A Reggae Masterpiece
Reggae is a style of popular music that originated in Jamaica in the late 1960s and quickly emerged as the countrys dominant music. By the 1970s, it had become an international style that was particularly popular in Britain, the United States, and Africa. It was widely perceived as a voice of the oppressed and a vehicle for social and political commentary.
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One of the distinctive features of reggae music is the use of riddims, which are instrumental accompaniments to songs that are often reused by different artists. Riddims are based on rhythmic patterns that are handed down from generations and influenced by various musical genres, such as ska, rocksteady, dub, dancehall, and reggaeton.
One of the most successful and influential riddims in reggae history is Conquest Paradise Riddim, which was produced by Damage Musiq in 2019. It was inspired by the song Conquest of Paradise by Greek composer Vangelis, which was the soundtrack from Ridley Scotts 1992 film 1492: Conquest of Paradise. The riddim featured some of the biggest names in reggae and dancehall, such as Tommy Lee Sparta, Chronic Law, Shane O, Shatta Wale, and Singer J.
In this article, we will explore the origins and evolution of riddim and reggae music, the inspiration and production of Conquest Paradise Riddim, the artists and songs that featured on it, and why it is one of the best reggae songs of all time.
What is a riddim and how did it originate?
The term riddim is the Jamaican Patois pronunciation of the English word rhythm. In the context of reggae and dancehall, it refers to the instrumental accompaniment to a song and is synonymous with the rhythm section. Jamaican music genres that use the term consist of the riddim plus the voicing (vocal part) sung by the deejay.
The resulting song structure is unique in many ways. A given riddim, if popular, may be used in dozens or even hundreds of songs, not only in recordings but also in live performances. Since the 1970s, riddims have accompanied reggae music and through the 1980s, more widely known as dancehall. As seen in dancehall music, there is a voicing part sung by the DJ over some riddim that has probably been widely used in many other songs. There is a unique establishment in the combination of riddims and voicing.
The history and evolution of reggae music
The roots of reggae music can be traced back to several Jamaican musical styles, such as mento, ska, rocksteady, dub, and dancehall. Mento is a folk music that emerged in the 1940s and 1950s, influenced by African and European traditions. It featured instruments such as guitar, banjo, rumba box, bongo drums, and bamboo flute.
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Ska developed in the late 1950s and early 1960s as a fusion of American rhythm and blues (R&B) with mento and calypso. It was characterized by a fast tempo, a strong offbeat accentuation, and a prominent horn section. Some of the pioneers of ska were Prince Buster, The Skatalites, Desmond Dek ker, and Bob Marley and the Wailers.
Rocksteady emerged in the mid-1960s as a slower and more soulful version of ska. It emphasized the bass line and the rhythm guitar, and introduced vocal harmonies and social themes. Some of the key figures of rocksteady were Alton Ellis, The Paragons, The Heptones, and The Techniques.
Dub developed in the late 1960s and early 1970s as a form of remixing existing reggae songs by manipulating the sound effects, such as reverb, echo, and delay. It also featured instrumental versions of songs, called versions, that highlighted the riddim. Some of the pioneers of dub were King Tubby, Lee "Scratch" Perry, Augustus Pablo, and Scientist.
Dancehall emerged in the late 1970s and early 1980s as a more upbeat and digitalized form of reggae. It incorporated elements of hip hop, disco, and electronic music, and featured deejays who rapped or toasted over riddims. Some of the early dancehall artists were Yellowman, Barrington Levy, Eek-A-Mouse, and Shabba Ranks.
The influence of riddim on reggae and other genres
Riddim is one of the most distinctive and influential aspects of reggae music. It allows for creativity, diversity, and collaboration among artists, producers, and sound systems. Riddims are often named after the original song that used them, or after a catchy phrase or theme. For example, Sleng Teng Riddim is named after the song Sleng Teng by Wayne Smith, which was the first fully computerized reggae song in 1985. Answer Riddim is named after the phrase "no matter what the question is, the answer is always love", which was sung by Lone Ranger in his 1979 song The Answer.
Riddims are also often reused by different artists who record their own versions or covers over them. This creates a sense of familiarity and connection among listeners who recognize the same riddim in different songs. For example, Real Rock Riddim, which was first recorded by Sound Dimension in 1967, has been used by over 300 artists, including Dennis Brown, Sugar Minott, Super Cat, Buju Banton, and Sizzla.
Riddims have also influenced other musical genres outside of Jamaica, such as hip hop, R&B, pop, and Latin music. Many international artists have sampled or interpolated riddims in their songs or collaborated with Jamaican artists over riddims. For example, Rihanna sampled Sail Away Riddim in her 2005 hit Pon de Replay; Drake interpolated Dem Bow Riddim in his 2016 hit One Dance; and Ed Sheeran collaborated with Chronixx over Belly Full Riddim in his 2017 song Shape of You.
What is Conquest Paradise Riddim and who created it?
Conquest Paradise Riddim is one of the most successful and influential riddims in recent reggae history. It was produced by Damage Musiq in 2019 and featured some of the biggest names in reggae and dancehall music. It was inspired by the song Conquest of Paradise by Greek composer Vangelis, which was the soundtrack from Ridley Scotts 1992 film 1492: Conquest of Paradise.
The inspiration and meaning behind the song Conquest of Paradise by Vangelis
The song Conquest of Paradise by Vangelis is an epic orchestral piece that captures the spirit of exploration and discovery that characterized Christopher Columbuss voyage to the New World in 1492. The song features a choir singing in a pseudo-Latin language that resembles ancient Greek. The lyrics are not meant to have a literal meaning but rather to evoke a sense of wonder and mystery.
The title Conquest of Paradise refers to both the physical and spiritual journey that Columbus undertook to find a new route to Asia but instead encountered a new continent. The song also reflects on the consequences of his voyage for both the Europeans and the native peoples who inhabited the lands he claimed for Spain. The song suggests that while Columbus may have achieved his personal dream of finding a new world, he also unleashed a series of events that would change history forever.
The adaptation and production of Conquest Paradise Riddim by Damage Musiq
The adaptation and production of Conquest Paradise Riddim by Damage Musiq was a creative and innovative process that transformed Vangeliss original song into a modern reggae masterpiece. Damage Musiq is a Jamaican music label that was founded by Dwayne Parkinson in 2014. It specializes in producing high-quality reggae a